Place des Victoires of Paris!

And here i am updating older posts of my walks in my eternal Paris. This is a wonderful square of many and love to walk by here. Let me tell you a bit more on the Place des Victoires of Paris!!

Well here I am got tangled up in the streets of Paris syndrome for a while. So many of them that are just gorgeous, and so little written on them.  My walks are eternal ever since stopped by the city in 1972 on a visit from Madrid where I was living at the time. It has continued since getting to know my late wife Martine in 1990, and then moving permanently to France in 2003 (already French since 2000).  The knowledge of history,architecture, and traditions is huge here and I am so lucky to come in contact with it, thanks to my dear late wife Martine.  Let me tell you about another dandy square in my eternal Paris. The Place des Victoires is especially, we can say an off the beaten path square but so much punch into it and especially if you are into high fashions.

The Place des Victoires or victories dedicated to king Louis XIV, it is, with Place des Vosges, Place Vendôme and Place de la Concorde, one of the four Parisian Royal squares. It is located a short distance from the Palais Royal and straddling the border between the 1éme and the 2éme arrondissement. The rue Croix des Petites Champs takes you to the Louvre museum and the rue de Rivoli.  This is a circular square, about 80 meters in diameter. Starting from the north, and clockwise, the square gives access to the following streets: Rue Vide-Gusset, the only street that does not leave the square in the axis of its radius;  Rue Aboukir; Rue Étienne-Marcel; Rue de la Croix-des-Petites-Champs; Rue Catinat; and Rue La Feuillade.


The square is devoted to the military victories of king Louis XIV. The square is temporarily renamed Place of Victories-National in 1792. The creation of the square is traditionally attributed to the initiative of the Marshal of the Feuillade and the city of Paris, but was undoubtedly initiated by the Bâtiments du roi (buildings of the king). Anyway, in order to erect a statue to the glory of the Sovereign, the Feuillade bought the Hotel de la Ferté-Senneterre which was between the old Paris and the newly-built up district of Richelieu and had   the hotel demolished. The statue was inaugurated only a year later and the frame was completed after the sculpture. However, the architect’s project was not a perfectly circular square. On about a fifth, the circle was interrupted by the string of a bow, in the middle of which was the street of the rue des Fosses-Montmartre, today rue Aboukir. A traffic lane took this quasi-tangent, formed by the rue Vide-Gousset and Rue du Reposoir. Two other streets end up in the square: rue de La Feuillade and rue de la Croix-des-Petites-Champs. None of these three streets being in the prolongation of each other, all the prospects culminated in the statue of the king, in a space enclosed by the buildings. The piercing of the rue Étienne-Marcel in the middle of the 19C changed the plan of the square: it is now crossed by part in the north-west/southeast axis and the Rue du Reposoir no longer extends the street rue Vide-Gousset. The arcades have now been replaced by shops, mostly luxury ready-to-wear. During the three glorious days, the way was the theater of confrontation between the insurgents and the troops.

From its creation to the present day, the center of the square welcomed four successive monuments, including three statues: 1686-1792: Bronze statue on foot of Louis XIV; 1792-1810: Wooden pyramid; 1810-1822: Statue of General Desaix; And since 1822: equestrian statue of Louis XIV. The original statue represented Louis XIV on foot. The king was figured in a coronation suit, stomping on a Cerberus, representing the defeated Quadruple Alliance. Its base included four bronze characters, allegorically representing  the nations defeated by Louis XIV and a different feeling (resignation, dejection, anger and hope), Bas-relief and rave inscriptions on The King’s military glory after the signing of the Nijmegen Treaty. These decorative elements are now exhibited in the Puget Court of the Louvre Museum. The inauguration took place on March 28, 1686; The set, including a pedestal, was then 12 meters high ,four lanterns, which were located at the four corners of the square, burning permanently to illuminate the statue. The buildings consisted of three columns of variegated marble supporting a large faunal of navy placed on a base of red marble. Between the columns, six bronze medallions with a diameter of 77 cm were suspended. In 1699, the lanterns were extinguished and in 1718 the ensemble was dismantled. Four of the columns are found at the high altar of the Cathedral of Sens. The medallions were then dispersed, only a few have reached us and are now presented at the Louvre Museum.

In 1792, the statue of Louis XIV was taken down by the revolutionaries. It was melted to produce cannons and replaced by a wooden pyramid bearing the names of the citizens who died on the day of August 10, 1792. The King’s walking statue was framed at the foot of the base of four large captives; these were removed in 1790 and transported to the courtyard of the Louvre. After being moved in the course of the century , they are currently in the Puget courtyard of the Louvre museum. King Louis XVIII will order a new equestrian statue of Louis XIV , representing the king in a Roman Emperor’s outfit, riding a prancing horse. The white marble pedestal will receive two reliefs representing the passage of the Rhine and the institution of the Royal and Military Order of St. Louis. This was inaugurated on 15 August 1822. For the rider’s and the horse’s attitude, the sculptor was inspired by the famous bronze rider of Falconet, representing the Tsar Peter the Great in St. Petersburg. The sculpture was restored in 2005.

According to the legend, Napoleon I gave the pyramid wood to the guard corps, which would have used it to burned it for heat.   The emperor inaugurated the monument on August 15, 1810, national and religious day, after ten years of the work of an ageing Dejoux. The statue was 1,5 meters high, on a six-meter pedestal. Desaix’s arm was the southeast, that is to say both Italy and Egypt, the two campaigns in which he was succesful. A pink granite obelisk was added to the composition. The nudity created a controversy and the statue was hidden behind a wooden palisade after a month, then definitively removed from the square in 1814. Its bronze was later recast to make the equestrian statue of Henri IV on the Pont-Neuf bridge.

The buildings of the Place des Victoires are old mansions or have been built as such:  Odd side:: No. 1: Hotel Charlemagne; No. 1a: Hotel de Montplanque; No. 3: Hotel de Soyecourt; No. 5: Hotel Bauyn de Pereuse, n ° 7: Location of the hotel where the financier Samuel Bernard died, in 1739, and No. 9: Hotel de l’Hôpital. Even side: No. 2: Hôtel Bergeret de Grancourt; No. 4: Hôtel Bergeret de Talmont; No. 4bis: Hotel de Metz de Rosnay; No. 6: Hotel de Prévenchères; No. 8: Hotel Pelle de Montaleau, No. 10: Hotel Gigault de La Salle and No. 12: Hotel Cornette.

Today, the Place des Victoires has become the place of choice for haute couture boutiques. And a great place to have a walk indeed in my eternal Paris.

The Paris tourist office on the Place des Victoires:

There you go folks, again , another marvelous area to walk and see and be seen in Paris, very chic indeed, cache. Hope you try it and enjoy , the Place des Victoires.

And remember, happy travels, good health, and many cheers to all!!!

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