Catedral Santa Maria de Valencia!

This is a dandy do not know why not popular while visiting Valencia. I have come here a couple of times and always marvelous. I am updating this older post from my visit in August 2018 to the Cathedral St Mary of Valencia or of the Holy Chalice. Hope you enjoy it and thanks for reading me over these years!


On of my old favorite cities of my Spain. Many years ago came here often starting while living in Madrid as had my mother’s aunt living there just south in El Saler. She took us to the city for tours and of course, the main things to see. I was just a teenager and really not pay much attention to the details. Rolled over a few years after, my mom’s aunt no longer living, came over to visit the city again from Madrid in 1982. The story continues as again rolling a few years came in with my dear wife Martine for a family trip which we all enjoyed. Do not know when returning here as my dear wife Martine passed away in April 30th 2018; but the memories will lingered for a lifetime.

I like to tell you that I have several blog posts on Valencia , and more pictures, but this is one only on the Cathedral, a must to see in the city of ValenciaComunidad Valenciana in the kingdom of Spain. And the story on the Cathedral goes…as briefly as I can make it.

The Cathedral of Valencia (the Metropolitan Cathedral Church-Basilica of the Assumption of Our Lady of Valencia, dedicated to Saint Mary) is a Cathedral that bring out several architectural styles  with a Valencian gothic predominance. In addition, we see elements of Romanesque, French Gothic, Renaissance, Baroque and Neoclassical.  It was built over an old mosque and  it was consecrated in the year 1238 by the first Bishop of Valencia after the Reconquista. From 1262 to the 18C it has gone thru several modifications. Inside it contains some of the first and best paintings of the Quattrocento of the Iberian Peninsula, which came from Rome through artists hired by Alejandro VI. This last Valencian Pope, when he was still Cardinal Rodrigo de Borja, made the request to elevate the Valencia Cathedral to the rank of Metropolitan, category that was given to him by Pope Innocent VIII in 1492.


Some of the things to see in the St Mary’s Cathedral of Valencia are:

The Gate of the Apostles (Puerta de los Apostoles) of the 14C is particularly remarkable as well as that of the Palau, the oldest of the Cathedral, Romanesque style and some mudejar elements. The iconic Micalet tower is nearby.

Since 1437, the Holy Chalice is preserved in the Cathedral of Valencia. According to historical documents, it was St. Laurent, Deacon of Pope Sixtus II, who would have had him handed over to his parents, who lived in Huesca, to avoid been taken by the Roman Emperor Valérien, who persecuted the Christians.   Among the singular elements must be highlighted, as far as the exterior of the Cathedral is concerned: the Eastern gate, called L’Almoina and Romanesque style 13C. The small northern Chapel, called Sant Jordi, where the first mass was held in the 13C. The Northwest Arcade, called Nova in Italian Renaissance style 16C. ; The western gate, called by the Gate of the Apostles with the influence of the French Gothic style 14C. ; The belfry, called the Micalet and of Valencian Gothic style 14C. ; The southern gate, called the Puerta de los Hierros in Baroque style 18C.


The Puerta de l’Almoina gate , named for being neighbor to the already disappeared House of L’Almoina , where the needy was given relief, is the oldest of the Cathedral. It is also known as the Palau Gate by its proximity with the Palau or Archiepiscopal Palace ;in Romanesque style, it is a clearly differentiated element of the rest of the Cathedral, which is mainly Gothic.

If you walk from L’Almoina leaving the Cathedral on your left you will find just in front of the archaeological center of the Almoina a small Chapel of Sant Jordi or Saint George. According to the Chronicles, in 1238, conquered the city of Valencia, Jaime I went directly to the major mosque, and made the first Mass on the site where today is the Chapel of Sant Jordi, attached to the outside of the apse. Inside the Chapel, on an altar, there is a Gothic altarpiece, with a painting by Sant Jordi and a sign that says: Sant Jordi at the Battle of Puig de Santa María. Year 1237. This painting is very similar-on a small scale-to the painting that is kept at the Victoria and Albert Museum of London entitled  Saint George in the Battle of Puig.

You will see a passageway dating from 1660 that links the Cathedral with the Basilica de la Virgen de los Desamparados (see post). Just passing it begins the Obra Nova, a gallery or tribune of Renaissance style that is open to the current Plaza de la Virgen square, which historically received the name of Plaza de la Seu or Seo.  Just passing the Obra Nova on your left is the gate of the Apostles (Puerta), named after the statues of the Twelve Apostles it houses. In French Gothic style, it contrasts notably with the Romanesque gate of L’Almoina with which it confronts the other part of the nave. Begin in 1303 and finished in 1354.

From the Puerta de los Apóstoles, If you leave the Plaza de la Virgen to your right and you go down the Calle del Micalet, we will arrive at the belfry of the Micalet or Miguelete. Intimate sentimental emblem for Valencia, and probably the most characteristic monument of the city. It was started on 1381 and finished in 1453. Since 1476, it was definitively joined to the Cathedral. Throughout its history, the Micalet fulfilled several functions such as a Lighthouse, watchtower, and even platform for fireworks. The city was in charge of the illuminations that were made for the extraordinary festivities. Right next to the Micalet is the main gate, called the Puerta de los Hierros by the iron gate that surrounds the entrance atrium. It is the most modern, replaces a previous 15C, started in 1703 and finished in 1713.

As far as the interior of the Cathedral is concerned, it is worth highlighting: The dome, masterpiece of Gothic Art 14C , exceptional both inside and outside. The old chapter house or Chapel of the Holy Chalice, in late Gothic style from the second half of the 14C. The Girola (ambulatory) , in Valencian Gothic style 13C, mostly covered in neoclassical decoration of the 18C. The main altar or presbytery, decorated with Renaissance paintings 15C and later Baroque additions 17C. The main nave and the sides, in Valencian Gothic style 13C-14C.

The Dome or cimborrio is of French Gothic style 14C and 15C, it is formed by an octagonal prism of two overlapping bodies, with eight stained glass windows of fine tracery in each body. The first body or lower part is of unknown author, of the 14C, whereas the second body or upper part of is towards 1430. The dome endows the nave with natural light that is always white, thanks to the translucent alabaster windows and the fact that its stone frame is reduced to a minimum.

The present Chapel of the Holy Chalice was destined initially to the celebration of meetings of the chapter of the Cathedral, that is to say, the capitulate room. It was originally an exempt chapel, but in 1496 Pere Comte finished the corridor, in a florid Gothic style, which linked it with the rest of the Cathedral. To access, you have to enter through the Puerta de los Hierros and turn right until we find an entrance to the hallway or access room, at the end of which there is a Gothic door in stone that allows the entrance into the Chapel. In this corridor of access we find five Gothic stone sepulchres, the Chapel of the Holy Chalice, of square design, measures 13 meters wide and 16 meters high, with smooth walls of carved dark stone and three windows with polychrome glass. Highlights the beautiful and complicated Gothic vault with eight ribs and twenty-four torsions arches that form an eight-pointed star, resting on polychrome corbels. About the keys to the vault, also polychrome, appear the twelve Apostles . The most important treasure that houses this room, of which it receives the name, is the Holy Chalice, donated by the King Alfonso the magnanimous one in 1437 and preserved in the room of relics until in 1916 it moved to this Chapel. In the central ceiling, there is the coronation of the Virgin in heaven after the assumption.  The legend of this relic it is said that, at the death of the Virgin Mary, the Disciples of Jesus distributed everything she kept and that St. Peter took the Chalice to Rome. Because of the frequent persecutions suffered by the Christians, Pope Sixtus II gave the precious relic to St. Lawrence the Martyr, his deacon, who had moved the Chalice to Huesca, his homeland. There was the Holy Chalice until the year 712, when the Christians, fleeing the Moors, took refuge in the Pyrenees and finally in the monastery of San Juan de la Peña, near Jaca. From there, according to the historians, it went to Zaragoza, to the royal Palace of the Aljafería , the Holy Chalice was in the possession of the monarchs of the Crown of Aragon until in 1437 Alfonso the Magnanimous, who had taken to Valencia the relic for the Chapel of his Royal palace , having absent himself from the kingdom of Valencia, gave them to the Cathedral, which since then houses the Holy Chalice.

In the wall, at a higher height, there are two large chunks-of 59 meters and 70 meters respectively-of large chains. They are those that once closed the port of Marseille, which was famous impregnable, and that in 1423 broke the ship of Romeu de Corbera, which commanded the attack of king Alfonso the magnanimous to the capital of the House of Anjou, rival of the king. The chains of the port were taken as trophy, taken to Valencia and donated by the king himself to the Cathedral. At first, the chains were deposited in the presbytery but with the reforms of 1779 passed to the present Chapel of the Holy Chalice.

In front of the wall where the pulpit is located there is a Gothic door that leads to the interesting Museum of the Cathedral, where there are works of primitive Valencian painters, like Jacomart and Rodrigo de Osona, and others such as Juan de Juanes, Castellanu, Correggio, Orrente, Espinosa, Vicente López Portaña, Camaron, and Francisco de Goya.

It is one of the oldest parts of the cathedral, because here began its construction on 1262. The Girola (ambulatory), a space destined for the faithful to wander through the Chapels without interrupting the cult of the main Altar, is not a very common element of the Churches of Valencia, since it only appears in the Cathedral and in the Church of Santa Catalina. The Girola has eight Chapels originally Gothic, but following the Neoclassical reform projected in 1771 they were covered with stuccoes and other elements. With the restoration works initiated in 1972 some of the Chapels have partially recovered the original look.

Capilla de la Resurreccion (Chapel of the Resurrection). It is popularly called the coveta. It is a beautiful Renaissance high relief of the resurrection, of 1510, made of polished and glossy alabaster powder stone. The sacristy is one of the oldest parts of the Gothic Cathedral, 13C. It is located in the right corner at the beginning of the Girola, at its intersection with the nave.

The main Altar of polygonal design is covered by a six-nerve vault. It has five windows and communicates with the Girola through two side doors. The main Altarpiece in the presbytery is actually a large cupboard bounded by two doors, which kept a renaissance altarpiece of silver from about 1492-1507 that was melted in Mallorca in 1812 for coins in the war against Napoleon I.

The main structure of the St Mary’s Cathedral, formed by the naves, the transept and the Girola, was built between the 13C and 15C, which is why it is of Gothic style and, in particular, Valencian or Mediterranean Gothic, which is characterized by being more primitive, horizontal and heavy than the vertical and sumptuous French Gothic .Between 1300 and 1350 were built the first three sections of the three naves-a larger central and two smaller sides-, starting at the nave and finishing at the end, reaching the current Chapel of San Francisco de Borja. It is one of the side Chapels on the right side of the central nave, dedicated to San Francisco de Borja, which contains two magnificent pictures of Goya of 1788. The left represents San Francisco de Borja saying goodbye to his relatives in the Ducal palace of Gandía to enter the company of Jesus. On the right we find San Francisco de Borja, already a Jesuit priest, who assists an unrepentant dying man. Last, the Chapel of St. Joseph we find the buried bishops and archbishops Simón Lopez García, Agustín Cardenal García-Gasco and José Gea Escolano.

Some webpages to help you plan your trip here are

The official Cathedral of Valencia webpage:

The official tourist office of Valencia on the Cathedral:

The official museum of the Cathedral of Valencia:

Hope you enjoy the trip and do come over to Valencia to see this wonderful monument ,the Cathedral of Valencia.

 And remember, happy travels , good health, and many cheers to all!!!

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4 Comments to “Catedral Santa Maria de Valencia!”

  1. Valencia has a very fine cathedral and a nice plaza behind it!

    Liked by 1 person

  2. Another memory of Valencia, the city is in the middle of a plain devoted to orange plantations, it is certainly in Valencia that I drank my best fresh orange juice.

    Liked by 1 person

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