Ok given on the post title his full name; I have mentioned him briefly in my previous posts but I believe he deserves a post of its own. To me, he is the greatest of Spanish poets/playwrites of all time. You probably know him better by Federico Garcia Lorca or simply Lorca for us. Let me tell you in a black and white series his history and places. Hope you enjoy my another entry into literature.
I like to tell briefly the story of a very famous men and one of my historical favorites of my beloved Spain. The name will tell it to all if into the arts, poetry,theatre, etc one of the giants of the Spanish speaking world. I happened to trace his life on my old visits to Granada, where I am an honorary member of a sport club ,but now the main thing is to tell you about the poet Federico Garcia Lorca. It’s a long history, that I like.
Federico García Lorca (born at Fuente Vaqueros, June 5, 1898- died on the way from Víznar to Alfacar, Granada, August 18, 1936) was a Spanish poet, playwright and prose writer. Assigned to the generation of 27, he was the most influential and popular poet in 20C Spanish literature. As a playwright, he is considered one of the tops of 20C Spanish theater. He was assassinated by the Nationalists side a month after the coup d’état with which the Spanish Civil War began.
He was born into a family with a comfortable economic position, and was baptized as Federico del Sagrado Corazón de Jesús García Lorca; his father was the landowner Federico García Rodríguez (1859-1945) and his mother, Vicenta Lorca Romero (1870-1959), second wife of his father.
The term of the Generation 1927 ;starts from the date of December 1927, when several Spanish poets meet in Seville, in an event organized by the Economic Society of Friends of the Country to commemorate the three hundred years since the death of Luis de Góngora. It should be noted that this meeting is the origin of what some call the Generation of ’27, which includes writers such as Jorge Guillén, Pedro Salinas, Rafael Alberti, Dámaso Alonso, Gerardo Diego, Luis Cernuda, Vicente Aleixandre, Manuel Altolaguirre and Emilio Prados. This group is characterized by fusing the forms of traditional poetry (neopopularism) with the avant-garde movements; for treating the same issues in a similar way (death in a tragic sense; love as a force that gives meaning to life; social concerns such as injustice, misery, etc.), for the use of metaphor and image; etc.
Together with Eduardo Ugarte, the writer from Granada, he co-directed La Barraca, a university theater group that represented theatrical works of the Golden Age of Spanish literature such as Calderón de la Barca, Lope de Vega, Miguel de Cervantes, etc; through cities and towns in Spain. Financed by the Ministry of Education, it had its own project in its hands for the first time. The outbreak of the Spanish Civil War would frustrate the effort.
A personal anecdote we all love him for. In March 1930 he left New York to travel to the city of Havana, Cuba as he is invited by the Hispano-Cuban Institution of Culture to give conferences in Havana and other Cuban cities. He travels by train to Tampa, Florida, where he boards the steamer Cuba, which docks on March 6 in Havana, where his old friend José María Chacón y Calvo, the Cuban poet Juan Marinello and the journalist Rafael Suárez Solís await him. The Instituto de las Españas (Spain’s institute) offers him a tribute, in which he delivers his lecture The Mechanics of Poetry. He friendship with Antonio Quevedo and María Muñoz, a friend of Manuel de Falla. He gives several lectures at the Principal Theater of Comedy in Havana: The Mechanics of Poetry; Closed paradise for many, open gardens for few; Spanish lullabies; The poetic image of Don Luis de Góngora; The architecture of cante jondo. He works in the play The Public. Friendship with the Loynaz brothers, whose home he visits almost daily and whom he reads The Public. In the company of the writer Lydia Cabrera, whom he had met in Madrid, he attends a “ñáñiga” (black Santeria type) ceremony. Conferences in Caibarién, presented by José María Chacón y Calvo, Cienfuegos and Santiago de Cuba. He receives a tribute in Santiago de las Vegas. He writes the “They are of blacks in Cuba”, and the “Ode to Walt Whitman” that will be part of Poeta en Nueva York. His friends García Maroto and Adolfo Salazar arrive in Havana. Friendship with the Guatemalan writer Luis Cardoza Aragón. He knows Nicolás Guillén and José Lezama Lima. He enters a clinic to have warts removed. Farewell meal at the Bristol Hotel organized by the Avance Magazine. On June 12, he embarks on the steamer Manuel Arnús, which, after stopping in New York, arrives in Cádiz on June 30. The Grand theater in Havana has the main room named after him.
In 1961, on the occasion of the 25th anniversary of García Lorca’s death, the board of the Centro Gallego (Galician social club) announced that the theater would change its name to that of the Granada poet as Teatro Garcia Lorca. Then in 1981, the entire complex changed its name to Complejo Cultural del Gran Teatro García Lorca, now under Prima Ballerina Alicia Alonso Director of the National Ballet. Finally, in 1985, it received the name of Gran Teatro de La Habana. Following extensive renovations, the theater has reopened on January 1, 2016 and renamed to honor the Cuban prima ballerina Alicia Alonso or Gran Teatro Alicia Alonso. The principal venue is the Garcia Lorca Auditorium, with seats for 1,500; it provides a stage for the Cuban National Ballet Company, as well as for other dance and musical performances.
A bit of his last steps alive. He went to the Huerta de San Vicente to meet with his family. He arrived there on July 14, 1936, three days before the military uprising against the Republic broke out in Melilla, leading to the Spanish Civil War. The sequence of his ultimate assassination is related briefly as such:
At Calle Virgen Blanca , then surrounded by fields, linked the García Lorca house with the center of the city. Federico travels through it in a taxi, a Fiat that had been owned by the family, and driven by a former servant. At Plaza de Gracia, headquarters of the Minor Seminary of the city. Lorca passed through the square in the taxi on the evening of August 9 on his way to the Rosales’ house, where he was seeking refuge. Corner of Plaza de Gracia with Calle Jardines, the beginning of the Magdalena neighborhood, where García Lorca passed on the afternoon-night of August 9. By Calle de Gracia, in the Magdalena neighborhood, then bordering the city with the plain. He goes by Plaza de la Trinidad, the square had hosted a convent of Trinitarians Barefooters until the 19C. Nearby was the family home of the Rosales, friends of Federico. The Reina Cristina Hotel is located in the same building as the former Rosales family house, on the corner of Angulo and Tablas streets. Federico was welcomed and hosted. He trusted that the Rosales’ connection with the Falange (Franco’s party) could protect him from the rebels. He doesn’t go outside and spends the day playing the piano. The Reina Cristina Hotel occupies what was the home of the Rosales family, where the poet Federico García Lorca spent his last days. It must be said that the hotel owners have made a great effort to preserve those aspects of the building that go back to the time when the Rosales family lived here. The building, full of Andalusian air, reminds us, between its patios and fountains, the universal figure of the poet in his last days.
The door of the Casa de los Rosales on Calle Angulo, 1. According to a police document drawn up many years after the poet’s death, the building was surrounded with a great apparatus by Militias and Assault Guards who took all the nearby intersections and rooftops. Lorca left through this door on his way to the Civil Government building. Lorca had taken refuge in the Rosales brothers’ house out of fear. His friends tried to intercede for him to avoid his arrest, without success. Federico is on the second floor of the house at the time of his arrest, on August 16 1936. An illegal detention, “without a written or oral order,” as the poet Luis Rosales declared years later.
His biographer Ian Gibson (Irish-Spanish now living in Madrid) relates the account of a witness: “He wore dark gray pants, a white shirt with a loose tie knot and, on his arm, a blazer.” By the Plaza de Los Lobos, Lorca passed through here when they were taking him prisoner. The square is the central point of the journey, barely 240 meters long, which separated the residence of Los Rosales and the Civil Government of Granada. Despite the short distance, he was stopped and transferred by car. The Puerta del Jardín Botánico, next to the Faculty of Law which, in 1936, was the seat of the Civil Government. The poet remained imprisoned in a dungeon in this building on Calle Duquesa before being taken to Víznar where, according to police documentation, he is “passed over by arms.” (shot dead) Today there is no plaque that recalls what was Federico’s last stay in Granada.
The Puerta or gate of the Faculty of Law was crossed by Garcia Lorca on the way to Víznar. Some sources believe that the transfer occurred on the same day the 16th, others on the 17th August 1936. Be that as it may, he spent his last hours in a large house on the outskirts of town, La Colonia. At Viznar he spent his last night in a makeshift jail, along with other detainees. It seems definitely established that Federico García Lorca was shot at 4:45 a.m. on August 18, on the road from Víznar to Alfacar. His body, which was never recovered, remains buried in an anonymous mass grave somewhere in those places. One of the most shocking works on the fact of his death is the poem «The crime was in Granada», written by Antonio Machado (another great poet) in 1937. One of the most documented, controversial and popular biographies on Federico García Lorca is the published best-seller in 1989 and entitled Federico García Lorca: A life (Life, passion and death of Federico García Lorca, Spanish edition in 1998), by the Irish-born Spanish Ian Gibson. Calle Duquesa was one of the last images of Granada by Federico Garcia Lorca.
Tracing his places of stayed in a brief description of them to follow:
Fuente Vaqueros located in the western part of the Vega de Granada region of the province of Grenada. In 1767 the colonization of the farm began. In 1777 it returned to the hands of the Crown, then passing to Manuel Godoy (later prime minister). Upon returning to the Crown again, in 1813 the Cortes donated the estate in perpetuity to the Duke of Wellington as a reward for services rendered during the War of Independence against the French. Until 1940, the current town of Fuente Vaqueros belonged to the Duke of Wellington, having its land leased to the settlers and little by little it was sold to them, who populated and gave way to the current town. Internationally it is known for having been the hometown of Federico García Lorca.
Some of the things to see here are: Monument and monoliths to Federico García Lorca Museum , Federico García Lorca’s birthplace. Federico García Lorca Municipal Theater ,and the Royal House of the Duke of Wellington. Hence, in this town there are many references and traces of the universal poet and playwright, with monuments and museums built in the memory of him.
The town of Fuente Vaqueros things to see: http://www.fuente-vaqueros.com/que-visitar.html
An official webpage on the routes and places of Federico Garcia Lorca on Fuente Vaqueros in Spanish : https://www.universolorca.com/lugar/museo-casa-natal-en-fuente-vaqueros/
Valderrubio is located in the western part of the Vega de Granada region, in the province of Granada. The town of Valderrubio is one of the thirty-four entities that make up the Metropolitan Area of Granada.
Federico García Lorca lived in this town, when it was still called Asquerosa. The origin of this name seems to be from Latin in Roman times, its meaning was Agua de Rosas or Acuarosa, in Latin Aqua Rosae. Its current name, which, to avoid the name meaning disgusting in Spanish, officially replaced the name on August 15, 1943, to the new name of Valderrubio ,which refers to “valley of blond tobacco”, since it was a majority crop until the middle of the 20C. So much so that it is said that it was the first town in Europe where the blond tobacco brought from America was planted.
It was in this town where Federico García Lorca, considered one of the most important Spanish poets of the 20C, was inspired to create one of his best dramatic works: La casa de Bernarda Alba. Among the places of Lorca, the house of Bernarda Alba stands out, the house on Calle Iglesia where today the House Museum, the Fuente de la Teja and the Daimuz farm are located, two km from Valderrubio, next to the Cubillas river, near the confluence with the Genil river. Valderrubio brings together a landscape and natural environment that still revives the basis of the great work that the poet left behind.
Some things to see here are the Federico García Lorca House-Museum; Bernarda Alba House and Monument to the Entrepreneurs and Tobacco Workers.
The town of Valderrubio on things to see in Spanish: http://www.ayuntamientovalderrubio.es/rutas-turisticas-e-hitos-de-interes
An official webpage on the routes and places of Federico Garcia Lorca on Valderrubio: https://www.universolorca.com/lugar/casa-familiar-de-valderrubio/
The old Café Alameda created in 1909 was known as the Gran Café Granada by most of the people of Granada at the beginning of the 20C, as it was the initial name with which the hospitality establishment was inaugurated, nowadays disappeared as such. It was located in the Plaza del Campillo. In that special corner at the beginning of the 1920s, the Bohemian intellectual gathering known as the Rinconcillo ( a little corner or place) was born, cradle of characters, some of them already prominent artists and others who would come to be recognized in disciplines as diverse as poetry, literature, journalism, the arts, politics, music and diplomacy, both nationally and internationally. In 1922, Manuel de Falla, Federico Garcia Lorca, Ignacio Zuloaga and the Granada City Council organized the first national Cante Jondo competition, which took place on June 13 and 14 in the Plaza de los Aljibes in the Alhambra. These modernizing ideas for renovation of Granada society, were supported at the time through periodic visits to the gathering by characters as diverse as H G Wells, Koichi Nakayama, Rudyard Kipling, and the musicians Wanda Landowska and Arthur Rubinstein Among the usual protagonists were Federico García Lorca and his brother Francisco, Manuel de Falla, politician Antonio Gallego Burín, the doctor and politician Manuel Fernández-Montesinos and his brother José, a philologist, the musician Ángel Barrios, the painter Manuel Ángeles Ortiz , José Acosta Medina, Miguel Pizarro Zambrano, the journalists José Mora Guarnido and Constantino Ruiz Carnero, José María García Carrillo, the politician Fernando de los Ríos, who would be Minister of Justice and Public Instruction, the Arabist José Navarro Pardo, the painter Ismael González de la Serna, Hermenegildo Lanz, the sculptor Juan Cristóbal, Ramón Pérez Roda, Luis Mariscal and the guitarist Andrés Segovia, and as conductor and cultural animator, Francisco Soriano Lapresa! Wow a who is who indeed of my beloved Spain!
An official webpage on the routes and places of Federico Garcia Lorca on El Rincocillo or old Alameda café in Spanish: https://www.universolorca.com/lugar/el-rinconcillo/
The Federico García Lorca House-Museum, familiarly known as Huerta de San Vicente, was the summer estate of the García Lorca family from 1926 to 1936, shortly after Federico’s assassination during the first weeks of the Spanish Civil War. The house and the orchards that belonged to him are located in the heart of the Federico García Lorca park, inaugurated in 1995. The farm seems to have its origin in the second half of the 19C and would be known as the Huerta de los Mudos (mute). Later, it became the property of Federico García Rodríguez, father of Federico García Lorca, who signed the purchase on May 27, 1925. The artist’s father, in homage to his wife Vicenta Lorca Romero, changed the name of the farm to Huerta de San Vicente.
Federico García Lorca wrote in this place, in whole or in part, some notable works such as So five years pass (1931), Bodas de Sangre or Blood Wedding (1932), Yerma (1934) or Diván del Tamarit (1931-1936). Among some of the poet’s friends who visited the area are the following personalities: Manuel de Falla, Miguel Pizarro, Antonio Gallego Burín, Manuel Ángeles Ortiz, Eduardo Blanco Amor, Eduardo Rodríguez Valdivieso, etc. In addition, the artist spent the last days before his arrest and subsequent execution of him on the farm, before moving to the house of his friend Luis Rosales.
On April 6, 1985, it was acquired by the Granada City Council from Isabel García Lorca (younger sister) to turn it into a house museum for the poet Federico García Lorca. In 1995, the only reliable documents that existed on the arrangement of this furniture set were a series of photographs taken in the period 1926-1936, among which the series taken in 1935 by the writer Eduardo Blanco Amor stands out, as well as family photographs taken starting in 1918 in other places where the García Lorca family lived and in which some of the furniture, works of art and objects that can be seen today in the Huerta de San Vicente are collected. These photographs make it possible to delimit with precision the qualifier “original”, applied to the furniture that decorates it: in them we see the poet’s desk, the gramophone, the baby grand piano, the divan, the rocking chairs and the Thonet chairs, the reproduction from Botticelli’s Spring, the mirror with an art deco frame , among other minor items. In addition to the photographs, the testimonies of the people who lived in it were very useful, especially Isabel García Lorca (sister) and the nephews Vicenta and Manuel Fernández Montesinos. The rest of the furniture, as well as the belongings (crockery, ceramics, and household objects such as the coat rack, the tablecloth, or peasants such as the cheese maker, etc.) and other documents and works of art that can be seen today in the House-Museum were either part of the furniture in La Huerta in some of its periods between 1926 and 1936, or they belonged at some point to the Lorca family.
The official house museum Huerta de San Vicente: http://www.huertadesanvicente.com/
An official webpage on the routes and places of Federico Garcia Lorca on the Huerta de San Vicente: https://www.universolorca.com/lugar/huerta-de-san-vicente/
Víznar is located in the foothills of the Sierra de la Alfaguara, in the central part of the Vega de Granada, about 9 km from Granada. In one of the ravines between the towns of Víznar and Alfacar, the Guardia Civil:( Civil Guard) assassinated Federico García Lorca.
An official webpage on the routes and places of Federico Garcia Lorca on the ravins of Viznar in Spanish: https://www.universolorca.com/lugar/barranco-de-viznar/
Additional webpages on the Cervantes virtual library on Federico Garcia Lorca: http://www.cervantesvirtual.com/portales/federico_garcia_lorca/
There you go folks, I feel better. I did as briefly as possible but long enough to give you the complete story on a great men, one of the greatest, still play, spoken and worship of the Spanish literature giants. Federico Garcia Lorca sits at the top. Hoping the wounds of the Spanish Civil War can one day be completely healed and we just remember,never to let it happened again.
And remember, happy travels, good health, and many cheers to all!!!
Paris1972-Versailles2003 
Leave a Reply