Archive for February 26th, 2019

February 26, 2019

Manneken Pis, Brussels of course!

Ok so now I go back to one of my favorite countries Belgium and one of my favorite cities Brussels. I have written extensively on it previously in my blog. However, not going to tell you about huge monuments or sumptous museum but a little statue that has the world in love with Brussels.

The Manneken Pis is an unusual figure , how can a statue showing someone pissing be so popular! yes it is and very nice quant, we love to stop by even if after several trips the crowds do not stop to grow me think!

Let me tell you a bit more on the Manneken Pis of Brussels!

Manneken-Pis, meaning “the Little man who pees” in Brussels, is a fountain in the form of a statue in Bronze of 55.5 cm high ( aprox 22 inches (61 cm with the pedestal) which represents a naked little boy urinating. To be precise, the real name is Menneke Pis. Indeed, in Flemish or Dutch but also in Brussels, een manneke is a small man while a menneke in Brussels means a little boy. The fun of a multilingual city.


It is located in the heart of Brussels, a few steps from the Grand Place, at the intersection of the rue de l’Étuve et de la rue du Chêne . Since 1965, the statuette present on the spot is a copy identical to that conceived in 1619-1620 which is treasured in the Museum of the city of Brussels located in the Maison du Roi (king’s house). Manneken-Pis is the most famous symbol of Brussels.

A bit of history I like

The earliest mention of the existence of Manneken-Pis is in an administrative text, which can be dated from 1451-1452, on the water pipes feeding the Brussels fountains. From the outset, the fountain plays an essential role in the distribution of drinking water. It is then located on the route of the Rue du Chêne, just before the angle that forms it with the rue de l’Étuve . It takes place on a column and pours its water into a double rectangular stone basin.

The first statue is replaced by a new bronze version ordered in 1619. It is probably melted and installed in 1620 at the same time, the column supporting the statuette and the double rectangular basin collecting the water are completely redone. The fountain is now no longer on the public road, but in a recess located at the corner of rue du Chêne et rue de l’Étuve. In 1770, the column and the double rectangular basin disappear; The statuette is integrated into a new rock-style stone decor from another Brussels fountain that was dismantled.

The statue of the Manneken Pis had several attempts of stealing it. In fact, the first attempt at a confirmed abduction was undertaken in 1747 by a group of French soldiers garrisoned in Brussels. To calm the spirits, the king of France, Louis XV, offered a suit of gentleman to Manneken-Pis, allowing it to carry the sword, and decorated it with the Cross of Saint Louis. Restored once again, the statue was sheltered and is now exposed on the second floor of the Museum of the city of Brussels occupying the Maison du Roi (King’s house) on the spot, at the corner of the streets of rue du Chêne et rue de l’Étuve , it was replaced by an identical copy.

Description and costumes of the Manneken Pis

Since the 20C, many copies or imitations of the Manneken-Pis have been born both in Belgium and abroad. It is necessary to distinguish the official copies offered by the city of Brussels from copies and imitations made privately by fans of the small character. Official copies were offered in Colmar (1921); Osaka (1928); Monaco (1951); London (1959); Broxeele (1979); Benalmadena (1991); and   Nagoya (2015).


The oldest testimony of the tradition of dressing Manneken-Pis dates back to 1615. At the Ommegang in Brussels that year in honor of the Archduchess Isabelle, the Manneken-Pis wears a shepherd’s suit. Traditionally, it is reported that in 1695, Governor-General Maximilian-Emmanuel of Bavaria, stationed in Brussels, offered a suit of blue color both in Manneken-Pis and in the statue of Saint Christopher, patron of the Military Guild of the Brussels archers.

In 1756, an inventory indicates that the Manneken-Pis wardrobe contains five complete garments. His wardrobe did not grow much before the 20C from 1918 to 1940, about thirty costumes were offered to him. But it was especially after 1945 that the movement took on an exceptional scale: the wardrobe has more than 400 costumes in 1994, more than 750 in 2005, more than 950 in 2016. The wardrobe, which has a thousand costumes since 2018, is kept at the Museum of the City of Brussels, located in the Maison du Roi (King’s house) on the Grand Place. In 2017, the city of Brussels opened a new museum space at 19, rue du Chêne entirely devoted to the presentation of the most emblematic garments of the wardrobe of Manneken-Pis.

Since 1954, the official presentation of the new costumes is framed by the order of Friends of Manneken-Pis founded that year to consolidate the folklore tradition. The order, in its present form, was revived in 1985. The order aims to stimulate the cultural, tourist, philanthropic and commercial development of Belgium in general, and in particular to preserve the traditions related to the character of Manneken-Pis.

Some webpages to help you plan your trip here are

Official Manneken Pis

Tourist office of Brussels on the Manneken Pis

City of Brussels on the Manneken Pis

Hope you enjoy the post, this is so unique and wonderful to stop by when in Brussels the Manneken Pis is a nice tradition.

And remember, happy travels ,good health, and many cheers to all!!!


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February 26, 2019

My travels in the Morbihan, LXXII

Well here I am the local guy, its been a while doing this continent tour and more to come back to my dept 56 Morbihan breton in the region of Brittany, my home for the last 8 years! I like to catch up a bit as some interesting events are coming up that we participate over the years

N164 the Breton free road of course that goes from Châteulin (Finistére 29) to Montauban de Bretagne(Ille et Vilaine 35) is in repairs for improvements; the highway is 162 km long and so far 106 km are done. The rest are to be finish by 2021 And there is more work in the planning in the Côtes d’Armor 22 to be done by 2022/23 or even 2025.

The tourism is up in Brittany, I told you we are the third most visited region in France, the World’s top vacation visitor visits. There were 97,5 million tourist in Brittany in 2018!!! The numbers come from the CRT comité regional du tourisme. Even with this is 2% less than in 2017 due to a school vacation that was shorter, the weather was no help , the strikes of the SNCF train network and the yellow jackets strikers at end of year 2018.

However, the foreigners are up! With hotels and campings full and positive increases over 2017. The most as I see it too are from the UK, Germany, and Belgium. What would be the impact of Brexit to tourism in Brittany? That is the big question, time will tell. Official site her:

The old 35 yrs old cocodrile of the aquarium of Vannes is getting larger quarters!  Eleonore she is already 4 meters long! And 200 kg!  It was found in the sewers of Paris when it was 2 years old and was hosted by the Museum of d’Histoire Naturalle . The crocs can live to 70 years old in the wild and up to 100 in captivity!!! And they can run fast but only for about 20 meters!  Tips I know from growing up in their tropical areas. The aquarium webpage is here:

Coming up in  June 14-16 the Livr’ à Vannes book fair with over 200 writers on site!  This will be the 12th edition!More here:

March 2-4 the Salon de l’Habitat on its 33rd edition at Vannes! All to  know how to buy sell and renovate your house and financing ideas of course. Time to check it out !!!  At the Chorus in the parc du golfe in Vannes of course! More here:

February 23 to March 3 Salon de l ’Agriculture in Paris its 56th edition  but we are big there!!! At the Parc des Expositions de la Porte de Versailles of  Paris. All you need to know about our wonderful gastronomy from where it comes from and how it is raised.  The exponents listings here:

And the Salon Vins & Gastronomie de Vannes ! March 9-11 2019. The 27th edition and I will be there for the 8th time!!! Again!!! At the Chorus in the Parc du Golfe, loads of goodies from my belle France foods, accessories  wines you name the crème de la crème be here or be square lol!!More on the Salon here:

The Chorus exhibition hall here:

At Arzon, Criée de Port Navalo, the event  Imagine ton Naviere ! imagine your boat. From Saturday 6 April to Sunday 9 June 2019 the exhibition invites the public to imagine how men design and then build ships to meet their desire to move on the water. By browsing the exhibition, its digital games and interactive manipulations the visitor becomes in turn naval architect and navigator. Free entry. More here:

Sunday July 14 2019 at Sarzeau – Port de Saint Jacques,  FÊTE DE LA MER (Feast of the sea) .During the day; games on water and on land, and empty attic fleas market. In the evening; popular ball and at nightfall, fireworks. Possibility of eating on site. Free admission. More here:

Every 2nd  Saturdays of the month  at  Vannes-Le Port from 9h to 18h. The quays of the book , professional market of the old book, used, vinyl records and postcard organized by the Association of Booksellers of South Brittany (weather permitting) .About 10 exhibitors . Free attendance. More here:

There you go some nice activities near me, I will be around!!! and planned trips already to the Loire, Amboise, and Honfleur. Stay tune ok!

And remember, happy travels, good health, and many cheers to all!!! Thank your reading!!!



February 26, 2019

Thabor park, Rennes!

Ok so now lets get ecological nature lover in me and tell you about a wonderful park right in the middle of a large city. This is Rennes, dept 35 of Ille et Vilaine in the region of Brittany ! Having taking on monuments and museums, let me tell you about a nature lovers paradise.

I have several posts on Rennes but would like to tell you about the wonderful Thabor park or Parc du Thabor of Rennes!

Parc du Thabor park, is close to the city center, a public park with more than ten hectares, the characteristic of which is to mix a French garden, an English garden and an important botanical garden. Since its private origin, vegetable garden and pleasure of the monks of Saint-Melaine Abbey long outside the walls of the city, the park has become, by successive developments and enlargements, one of the emblematic places of the city and of the most popular.

Thabor Park is in the district of Thabor-Saint-Helier-Alphonse Guérin. It is framed by rue Martenot and Rue de Paris to the south, the boulevard de la Duchess Anne to the east and the Rue de la Palestine to the north. The west of the park is clearly tightened between Notre-Dame-en-Saint-Melaine in the north and middle school Anne de Bretagne in the south; You can access it by the place Saint-Melaine, the entrance closest to the center of the city. Access to the park is made by six open entrances on the above mentioned streets. It is served by lines C3 and 44, Thabor stop; The nearest metro station is Sainte-Anne. The park is open all year round. Just to say I always come here by car as on trains is only a transfer station for me.


A bit of history and description I like

Originally, the park was only a hill culminating at 56 meters above sea level, i.e. it dominated a large part of Rennes, the altitude of which ranges from 20 to 74 meters. The first mentions of the Thabor date from 1610. The lands of Thabor have long been a dependency of the abbey of Saint-Melaine, where they were mainly used as an orchard. In the 17C, Benedictine monks opened their gardens, but they were reserved for men only. The Thabor was accessed by a passage that communicated between the abbey’s interior cloister and its vegetable garden, and then through a door that was set in the wake of the Great Fire of 1720, the Thabor became the seat of the bishopric. The Palace of the bishopric was built there and part of the gardens became those of the bishopric.

In the French revolution, all ecclesiastical domains are attached to the State. On May 10, 1793, Rennes became the owner of these lands following an exchange with the State. A public promenade was opened on the rest of the bishopric and Benedictine lands; the Court of the bishopric is the main entrance. In 1826, the demolition of the Church of Saint John, located next to Notre-Dame-en-Saint-Melaine, abandoned since the French revolution, opened the current entrance to Saint-Melaine.

Besides the French gardens expressly requested by the mayor, Denis Bühler proposed to create the first landscaped garden of Rennes and to move the garden of plants, then to the west of the Orangerie, to the east of the park. The greenhouses, the aviary, the grates, the Orangerie and the bandstand are made on the plans of the local architect Jean-Baptiste Martenot. The last expansions took place at the end of the 19C with the transfer of the Office of the Catherinettes in 1891, then the acquisition of the parcel Perrigault. During the 20C, some minor developments were carried out, such as the addition of wrought iron gratings at the entrance to Rue de Paris, in 1912 and Avenue de Grignan in 1926, but also the creation of a menagerie in 1930 following the success of the park of Maurepas created essentially as a playground and relaxation in 1936, the Thabor park, also receives this type of equipment. The Duchess Anne’s greenhouses were demolished at the beginning of 2005 to liberate the settlement area of the social housing, as well as a neighborhood library and a new entrance towards the square Lucien Rose.

The 10 ha of the Thabor public Garden consists of two walks-the square of the Guesclin and the L’Enfer (hell) to the west-of the French garden in front of the Orangery in the north, a large landscaped garden in the center and the south, and finally a botanical garden and a rosary to the east. The Guesclin square was laid out in bowling lawn in 1825, it is a trapezoidal lawn with a promenade lined with chestnut trees. On the small side, a stone arch highlighting a column of July allows to overlook the bowling, of this observatory, the impression that the Guesclin square is of parallelepiped form.. The demolition of the Church of Saint John allowed to create an entrance leading directly to the Guesclin square in 1826 overlooking the Place Saint Melaine, ancient forecourt of the abbey, the entrance is marked by a monumental portal, bearing the arms of Rennes. A small wall was spread on either side of the pillars, punctuated by six low-protrusion pilasters adorned with cast iron vases. The construction of the new grid, is a miniature version of that of Parc Monceau, Paris began in 1873 and ended only 3 years later.

The terraces, along Notre-Dame-en-Saint-Melaine, are lined with mosaics of flowers. From 1950, these mosaics were thematic and could represent comic characters (Asterix, Smurfs…) or the Fables of Fontaine. This demanded substantial financial support for the city of Rennes, and since 1975, the flower beds have been a simpler motif. During the early 20C, L’Enfer (hell) was a holiday place with the installation of a green theater. In front of L’Enfer, a very treed square houses a children’s carousel. An overhanging promenade is located on the edge of the Espachien. It includes a foosball table, a stones table and two sculptures made between 1889 and 1895 by the students of the Beaux-Arts of Rennes who face on the east side of the promenade.

Between L’Enfer and the French gardens, a bar-restaurant is located along the Rue de la Palestine. The Thabor’s snack bar becomes the Terrace Restaurant.

The French gardens were designed by Denis Bühler at the explicit request of the mayor of the city. This is the only French garden created by this landscaper, and the only 19C park to own a French garden. The French garden respects the precepts of Le Nôtre: we find gendarme hats, embroidery beds and basins. In addition to the Floral Park, the French garden also stands out by its decoration and its development by factories, statues and by the urban furniture. The bandstand, strategically placed in the alignment of the massif of the French garden, on its eastern part, is built by Martenot in 1875. He took trips before designing the kiosk, including advice on acoustics, and was very much inspired by the Bois de Boulogne kiosk. The statues were added at the end of the 19C. In 1807, the Orangerie and two greenhouses were built, but the latter were replaced almost sixty years later (in 1862 and 1863) by the greenhouses designed by Martenot. The glass and steel greenhouses are largely inspired by the greenhouses of the Bordeaux Botanical Garden. Three cut-out pavilions called palmerium, surmounted by a balcony and a dome crowned with a lantern are connected by small galleries.

The greenhouses of Martenot are affected by the bombardment of WWII; more classic integrated into the buildings of the Orangerie were built after the war. The Orangerie consists of two buildings that frame the greenhouses in the east and west. The Orangerie, pierced by windows on all sides except in the north, is decorated with bas-reliefs and inscriptions commemorating the great names of botany and horticulture: The pediment is adorned with names of botanists such as Linné and De Jussieu are represented on the western part and the Quintinie and Le Nôtre on the eastern part. Today, the 85 m2 of the west Orangery serves as a showroom.


The Botanical Garden which was located west of the Orangerie and moved to the east of the park. The botanical Garden is organized circularly in eleven flowerbeds where more than 3 000 species grow to understand this organization, the visitor should browse the botanical garden starting from the acotylédones (mushrooms, mosses and ferns) , then going up to the center of the circle by turning clockwise until the flowering. So the plants become more and more imposing, and we pass herbs to shrubs. Between the Rosary, the botanical gardens and the French garden, a space of 300 m2 is isolated from the public by means of grills. It is the site of   experimentation of the Ecorurb research program, the objective of which is to understand the effects of urbanization on biodiversity. The grid plot must primarily be used to understand the process of recolonization of plants on pristine terrain with or without seed input. For this, the land was sterilized and then isolated from the rest of the park.


The Rosary garden is rich in many varieties of rose stem, half-stalk, climbing or bush. A large part of the climbing roses are presented on the north wall separating the garden from the Rue de la Palestine, but also on arbours and pergolas. In the square of the novelties, an exhibition of roses that has been created during the previous ten years is located around the statue La Pensée( thought), a copy of the Louvre or Versailles. The side of the wall bordering the Rue de la Palestine is a place of observation where the adaptation of the roses created less than five years ago to the climatic and soil conditions is tested for two to three years by the National Society of Horticulture of France in order to compete in the Grand Prix de la Rose SNHF. A square of the old Roses inaugurated in 1990 to the south of the botanical garden allows to discover the first varieties of tea roses and their hybrids of the Japanese steps allowing to access the young Savoyard mourning his groundhog, but also to enter the heart of the ancient Rosary. To the northeast of the Botanical Garden is an exhibition of dahlias.


The landscaped garden is summarily divided into two areas: first of all the garden imagined by Denis Bühler, offering larger spaces grassy and creating openings allowing the creation of picturesque landscapes. However, the landscape garden remains the place of the idealization of nature. The landscaped garden is home to many species of trees, including redwoods that are in some way the signature of the Bühler brothers. The most elaborate part of the landscape park is the mosaiculture representing the coat of arms of Rennes surrounded by two ermines. This is the only part of the park enclosure that is wide open outside, thanks to a long grid, so that passersby and motorists browsing the Rue de Paris can enjoy it. The monumental fountain of 1829 for the development of the Square de la Motte is dismantled and installed at the entrance of Rue de Paris in 1901. The waterfall is lined with rocks from the forest of Saint-Aubin, although during the construction of the Catherinettes, picturesque-shaped rocks were made using cement. The waterfall is a miniature copy of that of the Bois de Boulogne.


The menagerie was arranged in 1930 to the southeast of the Catherinettes. It originally housed deer, sheep and some birds such as ducks and guinea geese, but several complaints from the vicinity, vandalism and also inadequate food for the species present led to the transformation of the Menagerie in simple duck pens in 1978. In 1968, the children’s playground is located in the southeast of the landscape park. It currently contains several slides and swings highlighted by large circular stone surrounds. A lawn adjacent to the playground is allowed to the public. Many captive birds are found at the Thabor park. Many species of surface duck and parakeets are exposed to the public in the duck enclosure and aviary. Wooden panels representing each bird installed in the vicinity of these facilities make it possible to inform the public of the different species presented. The park allows to observe several wild birds, passers and raptors mainly (Owl Tawny, European hawk). The red squirrel is also present.


The park consists of 52 000 m2 of turf, 5 800 m2 of shrubs and 700 trees of which 200 conifers. The park, and in particular the landscaped park, is embellished with many species of trees: redwoods, Lebanese cedar, tricolor beech, Tulip tree of Virginia, Cork Oak, magnolias, silver bell trees, pyramidal oak, Algerian fir, Colorado blue fir, Etc. The Thabor Park represents 59 000 annual plants, 54 000 biennial plants, 18 500 plants bulbous, 500 chrysanthemum, 1 000 dahlias of 78 different varieties and 2 100 roses of 980 different varieties. The Botanical Garden Houses 3 120 different plants, of which 800 are planted each year; The most represented family is that of daisies. It is also a place of exhibition, especially thanks to the orangery where different artists were exposed.


Ok so I believe you get the picture , this is a big Thabor park and a wonderful place to do your walks and or relax after a long day of sightseeing in Rennes, capital of the region of Brittany! Some webpages to help you plan your trip here are

Region of Brittany on heritage and Thabor park

Tourist office of Rennes on Thabor park

Dept 35 Ille et Vilaine on Thabor park

City of Rennes on Thabor park and its 150 anniversary

The Thabor Restaurant on Thabor Park

Enjoy it ,its wonderful with the whole family, we even go there while walking around the city, lately to eat out. Its an off the beaten path site that needs to be visited more.

And remember, happy travels, good health, and many cheers to all!!!


February 26, 2019

St Peter’s Cathedral of Rennes!

Well of course Rennes has a Cathedral! I had written briefly on it in my previous blog posts but looking back definitively needs a post of its own. The Cathérale Saint Pierre de Rennes is worth a detour indeed.

I like to tell you a bit more on it, and hope you enjoy the tour. The Cathédrale de Saint-Pierre or St Peter’s Cathedral is located in the heart of the city of Rennes, Ille et Vilaine dept. 35 in the region of Brittany. It is the seat of the Archdiocese of Rennes, Dol and Saint-Malo. Classically styled, it is one of the nine historic Cathedrals of Brittany.

rennes cat st pierre front dec13

A bit of history I like

The current site of the Cathedral St Pierre, has been used as the seat of a bishopric since the 6C. It is likely that it was built instead of an older sanctuary. The old Church was completely replaced by a Gothic Church in the 12C. It is within its walls that on December 25, 1483, Henri Tudor, future Henry VII of England, then in exile in Brittany promises to marry Elizabeth of York to join the army that remained loyal to the late Edward IV of England. This effective marriage in 1486 sealed the end of the war of the Roses and initiated the Tudor dynasty, which would give five sovereigns to England, including the first two reigning queens, successively Mary I of England and Elizabeth I of England.


In 1490, the tower and the western façade of the Gothic Church collapsed. A long-term reconstruction of the western massif, which lasted 163 years, culminated in the granite façade we know today, which is largely classical in style. It appeared then that to avoid a total collapse, it was necessary to rebuild the entire building, with the exception of the facade of recent and solid construction was approved by king Louis XV in Council meeting of 1762.  The demolition took place from 1756 to 1768. The reconstruction began in 1787, but the French Revolution stopped the work. These resumed in 1816. The now neoclassical Cathedral St Pierre with classic façade was completed in 1845. During the works, from 1803 and 1844, the former abbey Church of Saint-Melaine (see other churches of Rennes post) was the pro-Cathedral of Rennes.


A bit on the construction and architecture features I like

The facade and its two classical granite towers of 48 meters high were built in several stages throughout the 16C and 17C.  The towers have four levels. The first level was built from 1541 to 1543, the second as well as the third from 1640 to 1654 and the fourth and last from 1654 to 1678. Finally the coronation of the towers between 1679 and 1704, bearing them at their present height of 48 meters and added on the pediment to the top of the façade the motto of Louis XIV.

Besides the front, the façade has five coats of arms of tufa , showing from top to bottom, from right to left we have that of the Beaumanoir, that of Charles Albert of d’Ailly, 3rd Duke of Chaulnes, governor of Brittany, that of Jean-Baptiste de Beaumanoir de Lavardin, Bishop of Rennes from 1676 to 1711. that of Henri de La Mothe-Houdancourt, Bishop of Rennes from 1642 to 1662.  And that of Duke Charles de la Porte. To underline the strength and solidity of the new ensemble as opposed to the fragility of the previous construction, the architects have endowed the facade with 22 granite columns.  The pediment is to the arms of Louis XIV.

The nave has forty-four ionic columns. It was the most austere part of the Church. In order to alleviate this austerity, in the 19C, the columns and part of the walls (this is a mixture of marble dust, lime and chalk) were made into stucco, giving the building a greater brightness. The vault on the other hand is decorated with gold leaves. The vault contains crests to the arms of Brittany and the dioceses of the Archdiocese of Rennes.

rennes cat st pierre nave dec13

rennes cat st pierre ceilings altar dec13

The floor covering of the Choir is made up of austere slabs of granite. These offer a violent contrast to the high altar made with marbles offered by Pope Pius IX and from the Roman Forum (Rome). The cul-de-furnace of the apse is adorned with a painting depicting the giving by Christ of the keys of the Kingdom of Heaven to Saint Peter, made circa 1871 by the 19C painter Alphonse le Hénaff. The Choir is surrounded by an ambulatory whose walls are decorated with representations of the various Saints of Brittany grouped according to their diocese (Rennes, Dol-de-Bretagne, Saint-Malo, Saint-Brieuc, Tréguier, Saint-Pol-de-Leon, Quimper, Vannes). They are also due to Alphonse Le Hénaff.

The two crosses of the transept each have a sumptuous chapel adorned with remarkable frescoes. Those of the southern Chapel are consecrated to St. Anne, patron Saint of Brittany. There is also the painting of Saint Peter by the painter Henri-Joseph de Forestier given by king Charles X. The work dates from 1827 and represents Saint Peter delivered from his prison by an angel. The northern Chapel has a series of frescoes dedicated to Mary. They thus participate in the Marian cult widespread in Brittany.

Above the crossing of the transept, an artistic project for the development of the four pendants was chosen; consisting in the installation of four statues of three meters in height each, in the four pendants under the dome which will represent the symbolic tetramorphous of the four Evangelists, associated with scenes from the Gospels, such as the Man for Saint Matthew, the Lion for St. Mark, the Bull for St. Luke, and the Eagle for Saint John. The crypt entrance is under the heavy slab engraved with the names of the buried bishops, in the middle of the Cathedral’s central aisle. This crypt is only open during burials. You can go down only upon the burial of a bishop or archbishop.


The Cathedral St Pierre, houses a great Flemish Altarpiece masterpiece from the 16C adorned with 80 characters, which was restored in 1984. In the Chapel dedicated to Saint Malo is the painting of Sainte Marguerite, dating from the 17C. This painting is a copy of that of Raphael who is currently in the Department of paintings of the Louvre museum. In the Saint-Michel Chapel, you can admire the statue of St. Anne, a copy of a 15C work.

The towers of the Cathedral St Pierre of Rennes house a ringing of five bells. The bourdon, named Godefroy, is housed in the North tower and weighs about 7 900 kg. Its beating of 240 kg was changed on December 12, 2011. The other four bells, located in the South Tower, bear the names of Mary, Pierre, Amand and Melaine. They weigh 3 950 kg, 1 467 kg, 1 155 kg and 475 kg. Pierre is the only preserved bell of 1843, which had three sound vases. The bourdon, named after the first Cardinal-Archbishop of Rennes, Mgr. Brossay-Saint-Marc, is the biggest hidden bell in Brittany. The names of its sisters evoke the holy patron of the cathedral, Peter, that of the Archdiocese of Rennes, Dol and Saint-Malo, Melaine, and his predecessor on the Episcopal throne, Amand.

rennes cat st pierre st amand corp help rennes dec13

The Grand organs of the Cathedral St Pierre date from 1874 and is housed in a buffet, rebuilt in 1970 in a neo-classical style. A dorsal is then added, the pipes finding place in a buffet. Today, the main organs of the Cathedral of St Pierre constitute the most important instrument of the Department 35 of Ille-et-Vilaine.

The Choir organ, it is housed in a neo-classical oak buffet and occupies the central section of the ambulatory , at the bottom of the apse of the Cathedral. Carried by a high base, partially in corbelled, its piping is masked by false pipes in painted and gilded wood. Grouped by seven, in two platforms framed by pilasters summoned by Corinthian capitals for the lateral facades, these canons are numbered twenty-nine for the main façade, two plates-faces of seven false pipes framing a central section of fifteen. Dating back to 1867, the instrument will only be installed current 1869.

A webpage on music concerts in the Cathedral St Pierre: Music in Rennes on concerts at the Cathedral St Pierre

Some webpages to help you plan your trip here and it should be a must are

Catholic Rennes on the Cathedral St Pierre

Tourist office of Rennes on the Cathedral St Pierre

Tourist office dept 35 Ille et Vilaine on the Cathedral in French

There you go another jewel in my Brittany and wonderful capital city of Rennes. The St Peter’s Cathedral is worth the detour and lovely area for walks and sightseeing in the city too. Hope you have enjoy it.

And remember, happy travels, good health, and many cheers to all!!!

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